No Love Without Envy by Eugene Von Blaas 1901

$985,000

No Love Without Envy by Eugene Von Blaas 1901

Artist: Eugene von Blaas (1843–1932, Italian)
Title: No Love Without Envy
Creation Year: 1901
Medium: Oil on Canvas
Canvas Dimensions: Height: 39.75 in (101 cm) × Width: 47.75 in (121.3 cm)
Framed Dimensions: Height: 48.38 in (122.89 cm) × Width: 56.25 in (142.88 cm) × Depth: 3 in (7.62 cm)
Signature: Signed and dated “Eugen von Blaas 1901” (lower right)
Movement & Style: Academic, Venetian Genre Painting
Period: Early 20th Century
Confirmed By: Katharina Seyffertitz-Blaas
Frame Included: Yes
Provenance: Private collections; acquired directly from the artist

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Description

No Love Without Envy by Eugene Von Blaas 1901

Eugene von Blaas – No Love Without Envy (1901)

No Love Without Envy by Eugene von Blaas is a masterful oil on canvas painting created in 1901, exemplifying the height of Venetian genre painting and the artist’s remarkable ability to capture human emotion, social nuance, and the romantic charm of Venice. Measuring 39.75 x 47.75 inches (101 x 121.3 cm) on canvas and 48.38 x 56.25 x 3 inches (122.89 x 142.88 x 7.62 cm) in its original frame, this exceptional composition is signed and dated “Eugen von Blaas 1901” in the lower right corner and confirmed as an autograph work by Katharina Seyffertitz-Blaas, ensuring both its authenticity and provenance.

Von Blaas’ work represents the pinnacle of Academic Italian painting, blending classical technique with the vibrancy of Venetian life. In this painting, the sunlit courtyard serves as a stage for a narrative of romance, flirtation, and social interplay. At the center, an orange seller—modeled by the artist’s wife, Paola Prina—engages in a playful, intimate exchange with an admirer, interpreted as a stylized self-portrait of von Blaas. Surrounding figures watch with amusement and envy, creating a sophisticated tableau of human emotion. The artist’s meticulous brushwork renders delicate lace, opulent fabrics, and richly adorned garments with astonishing precision, while his handling of flesh tones, textures, and architectural elements creates a tactile, lifelike presence that draws the viewer into the scene.

Eugene von Blaas was born in 1843 to Austrian parents in Italy, immersed in an artistic environment from birth. His father, Karl Blaas, was a renowned portraitist and history painter, and his brother specialized in military scenes. When Karl Blaas was appointed professor at the Venice Academy of Fine Arts, the family moved to Venice, a city that would remain Eugene’s lifelong muse. Trained in Rome, Vienna, and Paris, von Blaas combined rigorous academic training with a profound sensitivity to Venetian light and atmosphere. This unique synthesis allowed him to depict everyday scenes with extraordinary elegance, capturing the interplay of light, color, and narrative that became his signature style.

No Love Without Envy is distinguished not only by its technical mastery but also by its narrative sophistication. Von Blaas often incorporated autobiographical elements into his works, and here the presence of himself and his wife adds a deeply personal layer to the composition. The painting reflects a mastery of composition, spatial depth, and the interplay of figures within an architectural setting. The viewer’s eye is guided naturally through the scene—from the intimate exchange at the center, to the amused onlookers, to the sunlit Venetian walls and courtyard—creating a dynamic yet harmonious visual experience.

The palette is luminous and meticulously modulated. Von Blaas’ use of warm sunlight, soft shadows, and radiant color imbues the scene with immediacy and vitality. The textures—from the sheen of satin and silk to the rough-hewn stones of Venice—are rendered with near-photographic clarity, demonstrating his extraordinary ability to balance realism with aesthetic elegance. The painting embodies the hallmarks of von Blaas’ genre work: narrative richness, technical brilliance, and a timeless charm that appeals to collectors and institutions alike.

Collectors will recognize this painting as a museum-quality Venetian genre scene, offering a rare opportunity to acquire a large-scale, finely detailed composition by one of Italy’s most celebrated academic painters. Its original frame enhances the visual impact and allows for immediate display in private collections, galleries, or institutional settings. The painting’s impeccable condition preserves the brilliance of von Blaas’ colors and the subtlety of his brushwork.

For contemporary collectors, this masterpiece is available for secure purchase using the world’s leading cryptocurrencies, including Bitcoin (BTC), Ethereum (ETH), and other trusted digital assets. This modern payment option allows international collectors to acquire a work of historical significance and aesthetic excellence with efficiency, privacy, and convenience, bridging classical European artistry with 21st-century methods of acquisition.

In conclusion, No Love Without Envy is more than a painting—it is a window into Venice’s romantic life, a celebration of human interaction, and a testament to Eugene von Blaas’ technical and narrative genius. Its scale, detail, historical importance, and personal connection to the artist make it a must-have for collectors seeking a work of exceptional beauty, sophistication, and investment potential.

“Step into the sunlit Venetian world with No Love Without Envy by Eugene von Blaas (1901) — own this masterpiece securely using leading cryptocurrencies today.”

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